godsjoker123

godsjoker123
This 8-level series is best characterized as "edutainment" or "didactic drama" in which the philosophical content is as important as the narrative. The show teaches a God-formula (theory of everything), a new God-image (ontological argument) and a remake of Plato's Republic (ideal architecture of society) - and more. As for the story, David Donnerstein, the German-Jewish Platonic Fuhrer embarks on his divine mission, aided by his brother: God's Joker. The title "Logos XXI" refers as much to the bible as Greek thought. Lovers of biblical stories, Plato, Jung or Nietzsche ought to like this: It's post-Christian mythology, essentially. Playlist of the full show (so far): https://youtube.com/playlist?list=PLRIiWpHT58JI21vGyAqkdmw0uBjxqRYwT Enjoy! www.godsjoker.com MUSIC: Circus Marcus - Rumbo de grises #edutainment #philosophy #biblical
The Story of the Century: Logos XXI (Philosophy Edutainment)
YouTube Video VVVDdlNVREtlZUs1OURxOWwxb2VtaTVRLjFVYWJNTjltUHFn
CLIP from Logos XXI: The Rise of the One, Level 2, Episode 3 - "Plato's dethronement: The Republic in the 21st Century". Plato's Republic in the 21st Century will be mapped out over the next few episodes. www.godsjoker.com #plato #marxism #elonmusk Series description: What is Logos XXI: The Rise of the One? For starters, an epic didactic drama: a fusion of education and spectacle, which is epic in length (the actual duration is forecasted to be the equivalent of one semester of lectures) and scope (= ground covered). Now, how could a project of this size possibly be explained in a few paragraphs? Perhaps, only by alluding to high level themes of both the inspiration which led to its realization and the actual content of the epos. Since Plato, a pioneer of didactic drama, that is, philosophical theatre, is one of the main influences, let’s reduce the author of this project to nothing but an imitator: someone who cannot help, but copy forms of representation. So, what are the existent, historical forms which are being amalgamated into this (literally) moving collage? Clearly, Plato’s form of representation itself (dialogue), but Logos XXI goes all the way back to and thru the biblical form of telling and showing. At last, the title alludes as much to the epic line “in the beginning was the word (= logos)” as to one of the original developers of the idea of ‘logos’: Heraclitus, the philosopher of paradox, of coincidentia oppositorum, of the conflict and unity of opposites, of dark and light, war and peace, truth and illusion, love and hatred, fun and seriousness, levity and gravity, practice and theory, reality and illusion. To put it simply, the poetic substrate of Logos XXI can be defined as Greco-Judeo-Christian. But, what else is on the list of the imitator? Naturally, many of those who followed this very same current of thought and fiction. Dante? Certainly. Meister Eckhart? Yes. Blake? Definitely. Hegel? Sure. Tolkien? Of course! Wittgenstein? Jung? Star Wars? Batman? Joker? The Matrix? Eminem and Slim Shady? Why the hell not?! At last, what is Christian story-telling, if not centered around a conflict of opposites? And yet, Logos XXI would not be Logos XXI, if it was behind its time and had not dealt with the ‘Marriage of Heaven and Hell’ and the guy who went mad trying to move beyond good and evil. So, anti-Christian, Nietzschean, it is. But, Nietzsche was anti-Plato, so how, if at all, can such unholy union be imitated? Well, paradox rules: in XXI, God returns as Joker with a formula of absolute logic and as Dictator with a vision of the Kingdom of the One. And as king. The series starts with a divine peace offering presented by Walter Theodor Feuergeist aka God’s Joker and “GOAT”, followed by David Donnerstein’s declaration of the Final World War. MUSIC BY SERGE QUADRADO. www.freemusicarchive.org
Visions of the Future: Markets, Marx & Musk (from Plato's Dethronement)
YouTube Video VVVDdlNVREtlZUs1OURxOWwxb2VtaTVRLkU3d09QeFJPZ25n
CLIP from Logos XXI: The Rise of the One, Level 2, Episode 3 - "Plato's dethronement: The Republic in the 21st Century". Plato's Republic in the 21st Century will be mapped out over the next few episodes. www.godsjoker.com #Philosophy #Nietzsche #plato Series description: What is Logos XXI: The Rise of the One? For starters, an epic didactic drama: a fusion of education and spectacle, which is epic in length (the actual duration is forecasted to be the equivalent of one semester of lectures) and scope (= ground covered). Now, how could a project of this size possibly be explained in a few paragraphs? Perhaps, only by alluding to high level themes of both the inspiration which led to its realization and the actual content of the epos. Since Plato, a pioneer of didactic drama, that is, philosophical theatre, is one of the main influences, let’s reduce the author of this project to nothing but an imitator: someone who cannot help, but copy forms of representation. So, what are the existent, historical forms which are being amalgamated into this (literally) moving collage? Clearly, Plato’s form of representation itself (dialogue), but Logos XXI goes all the way back to and thru the biblical form of telling and showing. At last, the title alludes as much to the epic line “in the beginning was the word (= logos)” as to one of the original developers of the idea of ‘logos’: Heraclitus, the philosopher of paradox, of coincidentia oppositorum, of the conflict and unity of opposites, of dark and light, war and peace, truth and illusion, love and hatred, fun and seriousness, levity and gravity, practice and theory, reality and illusion. To put it simply, the poetic substrate of Logos XXI can be defined as Greco-Judeo-Christian. But, what else is on the list of the imitator? Naturally, many of those who followed this very same current of thought and fiction. Dante? Certainly. Meister Eckhart? Yes. Blake? Definitely. Hegel? Sure. Tolkien? Of course! Wittgenstein? Jung? Star Wars? Batman? Joker? The Matrix? Eminem and Slim Shady? Why the hell not?! At last, what is Christian story-telling, if not centered around a conflict of opposites? And yet, Logos XXI would not be Logos XXI, if it was behind its time and had not dealt with the ‘Marriage of Heaven and Hell’ and the guy who went mad trying to move beyond good and evil. So, anti-Christian, Nietzschean, it is. But, Nietzsche was anti-Plato, so how, if at all, can such unholy union be imitated? Well, paradox rules: in XXI, God returns as Joker with a formula of absolute logic and as Dictator with a vision of the Kingdom of the One. And as king. The series starts with a divine peace offering presented by Walter Theodor Feuergeist aka God’s Joker and “GOAT”, followed by David Donnerstein’s declaration of the Final World War: the Platonic Führer must redeem his fathers. MUSIC BY SERGE QUADRADO: 1) Jazz Cafe 2) Prank www.freemusicarchive.org
Plato vs. Nietzsche 101: Cosmic Justice & the Superman (Übermensch)
YouTube Video VVVDdlNVREtlZUs1OURxOWwxb2VtaTVRLlQyWWp0cTRMZlRN
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